From Modernity to After-Modernity. (23)

Part 2. Theoretical considerations 
Chapter 5. About the arts  China.

China and the countries in the TriContinentArea ("Middle-East: in Western European parlance) experienced a radically different transition from tribal societies to empire. In one word the countries in the TriContinentArea, as well as those that later adopted one of their worldview like Europe and its colonially forced geographic extensions for example, experienced a rupture with their tribal and animist past. China on the other hand experienced continuity. I exposed the reason for this radical divergence in “4.7.2. About the emergence and development of China's institutions of governance".

Rupture means that empires discard anything relating to tribes and develop a new governance structure and a new worldview from scratch. Continuity means that empires grew organically by adopting animism and by growing it further with add-ons.

This rupture versus continuity principle implies two radically different paths for the arts in Europe versus China.


From Modernity to After-Modernity (22)

Part 2. Theoretical considerations 
Chapter 5. About the arts

5.2.3. From biological evolution to societal evolution

What I propose here is that biological evolution has been a first mover in the process of the evolution of life. It has bestowed on us our biological characteristics in a process of natural selection that operated over hundreds of millions of years. Furthermore the near infinite chain of its successful mutations have imprinted patterns in our biological code that act as a predisposition of the individual to prefer beauty over ugliness, love over hate, cooperation over competition, winning over losing and so on.