2016/07/16

From Modernity to After-Modernity. (27)

Summary sketch of part 2.



Life is one of the applications installed in the operating system of the universe and it emerges eventually in those of its sub-sets whose context contains all the ingredients for life to emerge.

Humanity is one of the youngest species to have evolved from such a process of emergence on earth. As all species humanity is subservient to the application of the principle of life. By that I mean that we can’t escape its rules; we are merely dancing to the tune of its music.

2016/07/08

From Modernity to After-Modernity. (26)


What follows is the table of content of the 25 posts I published during the past winter 2015-2016. These posts form part 2 of "From Modernity to After-Modernity" that addresses my personal theoretical views about societal evolution and the arts. This part 2 ended up totaling 204,122 words or some 750 book pages. I thought a table of content of this material could be useful to those of my readers who would want to read or re-read some specific parts of the content.  To find the post relating to the subject that interests you please go here.

Part 3 will address the paradigm shift that has already been set in motion during Late-Modernity. In other worlds part 3 shall address the formation of a new worldview, a new form of societal organization, and a new understanding of the arts that will replace the models of Modernity in the coming future... This will be the subject of my writing during the winter 2016-2017.

Until then I wish you all a very creative summer.

Laodan

2016/07/06

From Modernity to After-Modernity. (25)

Chapter 5. About the arts


5.4. the arts in what comes after Modernity
As I have laid out extensively already Modernity is in its late phase that I call Late-Modernity. This new context is made of multiple existential crisis that prepare the conditions for the seeds of what comes after Modernity to sprout. What is at stake here is the birth of a whole new societal paradigm that emerges as an answer to a falling model.
One of the most interesting aspects of the new paradigm relates to knowledge formation and acquisition.

2016/07/02

From Modernity to After-Modernity. (24)





Dear readers I'm really sorry for this late publishing of the last articles in this series.  A software glitch left me stranded in Beijing and I could not find a way to access Blogger. There are 3 more posts to complete the publishing of what I wrote along the last winter. I'll post them weekly as I did in the past.
I wish you all a great summer. I'll be back publishing next November.
Best,
Laodan



5.3.4.3. Numerous contemporary ideas about the future.


People generally agree that modernity has yielded a series of bottlenecks but they widely disagree on their future outcomes for human societies. The range of future possible outcomes varies along the line between the following two extreme beliefs:
  • the belief in technological singularity
  • the belief in the collapse of modern civilization.

2016/05/13

From Modernity to After-Modernity. (23)

Part 2. Theoretical considerations 
Chapter 5. About the arts


5.3.2.2.  China.

China and the countries in the TriContinentArea ("Middle-East: in Western European parlance) experienced a radically different transition from tribal societies to empire. In one word the countries in the TriContinentArea, as well as those that later adopted one of their worldview like Europe and its colonially forced geographic extensions for example, experienced a rupture with their tribal and animist past. China on the other hand experienced continuity. I exposed the reason for this radical divergence in “4.7.2. About the emergence and development of China's institutions of governance".

Rupture means that empires discard anything relating to tribes and develop a new governance structure and a new worldview from scratch. Continuity means that empires grew organically by adopting animism and by growing it further with add-ons.

This rupture versus continuity principle implies two radically different paths for the arts in Europe versus China.

2016/05/06

From Modernity to After-Modernity (22)

Part 2. Theoretical considerations 
Chapter 5. About the arts


5.2.3. From biological evolution to societal evolution

What I propose here is that biological evolution has been a first mover in the process of the evolution of life. It has bestowed on us our biological characteristics in a process of natural selection that operated over hundreds of millions of years. Furthermore the near infinite chain of its successful mutations have imprinted patterns in our biological code that act as a predisposition of the individual to prefer beauty over ugliness, love over hate, cooperation over competition, winning over losing and so on.

2016/04/29

From Modernity to After-Modernity. (21)

Part 2. Theoretical considerations
Chapter 5. About the arts



5.2. The origins of the arts.

It is my contention that to have a valid conversation about the arts we have first and foremost to understand how and why they emerged in the first place. The arts are indeed not a given and they also did not fall from the sky. Nature has no patience with things that are of no use to it and very fast it discards such un-useful things. So logic implies that a human demand must have arisen, sometime and in a given context, for the usage of the arts. They must indeed have emerged as a valid answer to a human necessity in a given context. That’s what I want to address here.

2016/04/25

From Modernity to After-Modernity. (20)

Part 2. Theoretical considerations
Chapter 5. About the arts



Dear readers,

Technical problems prevented me from publishing my last series of posts over the last 4 weeks. The problem is finally solved.
I'll now be publishing, the 5 final posts of this winter series, on the coming Fridays...
Sorry again for the interruption.

Laodan

2016/03/24

From Modernity to After-Modernity (about chapter 5)

 Part 2. Theoretical considerations
Chapter 5. About the arts


Hello to my regular readers and to everybody else,


As of my post last Friday my writing this winter already generated 560 book pages.  I started working on the last chapter, this chapter 5, but will pass this week's publication because I was exhausted and needed some time to put my ideas together. This chapter should be the culmination of this winter's writing so I feel I need to get it right.

This is how I presently envisage the architecture of this text:


1.  a clarification about what we call the arts?
 
2.  the origins of the arts:
        2.1.   a biologically acquired predisposition for the arts
        2.2.   a societally acquired function to preserve life:  our species - societies need art to reproduce life (in this sense art is the most important human activity! It is what allows the species to reproduce over time and avoid going extinct!)

3.  the historical evolution of the arts:
        3.1.   the arts under tribal societies
        3.2.   the arts under imperial societies. Europe versus China.
        3.3.   the arts under Modernity.
        3.4.   the arts in Late-Modernity

4.  the arts in what comes after Modernity (in the decades and centuries after the presently collapsing Modernity)


See you next Friday April the 1st,
Best to all.


Laodan

2016/03/18

From Modernity to After-Modernity (19)

Part 2. Theoretical considerations
Chapter 4. About societal governance and societal evolution



4.7.2.4. The Chinese empire

I mentioned in “4.7.2.3. The transition from tribes to empires. A. What is an empire?” that the word “empire” is a European construct and that the understanding of the concept in the European acceptance is not adapted to all contexts. But more to the point; the way Europeans have defined the concept around the exercise of power has no place in the Chinese context and more particularly in its early phase of unification and centralization 

2016/03/11

From Modernity to After-Modernity (18)

 Part 2. Theoretical considerations
Chapter 4. About societal governance and societal evolution


4.7. About the institutions of governance (part 2)



I touched very briefly on the subject of Chinese governance in "4.6.3. Societal reproduction – Individual communion 2. China unified its early kingdoms along the Yellow River some 3000 years BC under the '3 sovereigns' and the '5 emperors' ". What follows is an expansion on the content of that text.

2016/03/04

From Modernity to After-Modernity (17)

 Part 2. Theoretical considerations
Chapter 4. About societal governance and societal evolution


4.7. About the institutions of governance

4.1 to 4.6 were devolved to the 25 interactions and feedback loops between the most determinant parameters shaping individual and societal life. These interactions constitute the backbone of an analytical framework that helps to analyze and to understand the working of societies and how to operate them the most efficiently. I completed a succinct analysis of these 25 interactions in 4.6. It reads like a “philosophy of life and societal governance” that is being derived from one initial axiom which says that the life of species is given by the play, or the dance, between their two polarities: societies (assemblings) and individuals (particles). The knowledge, about the operation of their polarity-plays, acts like a handle that reveals the future.

2016/02/25

From Modernity to After-Modernity (16)

Part 2. Theoretical considerations
Chapter 4. About societal governance and societal evolution




4.6.  Twenty determinant 'individual-society' interrelations  (Part 3)

The graph that follows illustrates the dynamic that forms the reality of species. Each living species has two polarities: societies (positive) and individuals (negative). The interactions or the play between these polarities is what creates the reality of species.


2016/02/19

From Modernity to After-Modernity (15)

Part 2. Theoretical considerations
Chapter 4. About societal governance and societal evolution



4.6.  Twenty determinant 'individual- society' interrelations  (Part 2)

The graph that follows illustrates the dynamic that shapes the life of species. Each living species has two polarities: societies (-, feminine) and individuals (+, masculine). The interactions or the play between these polarities is what generates the reality or the life of species.


2016/02/12

From Modernity to After-Modernity (14)

Part 2. Theoretical considerations
Chapter 4. About societal governance and societal evolution



4.6.  Twenty determinant 'individual- society' interrelations  (Part 1)

The graph that follows illustrates the dynamic that shapes the life of species. Each living species has two polarities: societies (-, feminine) and individuals (+, masculine). The interactions or the play between these polarities is what generates the reality or the life of species.