Organic art = the patterns of life (6)

5.  After-Modernity and the prospects of an artistic awakening

Over the last 50 years a great convergence has slowly been taking place, between – the crisis of the governance-world – and the multitude side-effects of Modernity, that is evolving into a drastically new living environment.

This convergence will result in a radical drop of the world population and life will be forced to re-organize locally in small groups surviving under the reign of necessity. Their most vital priority will be the reproduction of their societies over the long haul and to ensure this the minds will be glued by new foundational narratives grounded in myths fixing the memory of what caused the fall of Modernity.

Modern knowledge will rapidly be forgotten and visual signs will thus become the vehicle of choice to share knowledge with all. That’s how the historical nature of art returns with a vengeance … 

Organic art = the patterns of life (4)

3.  In the 20th century the 3rd world was forced to adopt Modernity in order to survive

For the last 40 years I had the great chance of being a close witness of the Chinese story and I observed that to ensure the survival of their nation the Chinese, in a first move, largely copied Western Modernity.

With the benefit of hindsight it becomes evident that a second move down the road will enable them to walk their own national way into the future. There is no better guide than the artworld to understand how the country is generating its own way by forcing the integration of Modernity inside Chinese Traditional Culture.

And so under the sheer weight of population numbers China is quietly shedding Modernity’s old Western skin...

Organic art = the patterns of life (3)

2.   how did Modernity emerge in Europe

Why is understanding the emergence of Modernity so important ? Well, in order to survive in the 20th century, all countries on earth were forced to convert to the quasi-worldview of Modernity and to the reason that is at work within capital. What ensued was a radical departure from the past that thoroughly impacted the ways of thinking and the behaviors of the individuals in all third-world nations. And this resulted in a blow-back of monumental proportion on their worldviews, culture, art, and societal governance.

I observed first hand how – the art world in Beijing during the eighties was mesmerized to ape Western productions, rock and punk music, the modernist avant-garde painting, – and how this resulted in three decades of sheer insanity. Things have certainly evolved since then but the blow-back resulting from aping the first world has still not been completely digested...

Having said that the fact of the matter is that the blow-back on the 3rd world is nothing compared to the chaos that was unleashed on the first world.

Today we come to suspect that Modernity and capitalism have cursed humanity. And nothing could liberate us more thoroughly from this curse than by gaining a clear comprehension of why and how Modernity emerged in Western Europe in the first place and how things then evolved toward Late-Modernity.

Organic art = the patterns of life (2)

1. The nature and function of art over the last tens of thousands of years


In my last article I wrote “ Life is a rare gift in the universe but our power societies, and more particularly the quasi-worldview of Modernity, lost touch with this evidence. Now that we start to grasp the fact that this gift could be taken away we come to appreciate that it is the most precious thing we ever had. ”

Since the principle of life is the most important thing we ever had would it not be logical to derive all our ideas and actions about how to live from this principle ?

The first question that arises is then ‘what is life? ‘.

Digital variations of oil paintings

I had been playing with various fractal apps in the early 2000’s and marveled shortly at the wild gyrations on the screen. But I rapidly started to feel uneasy with the machine like perfect outcome of those works. Such a perfection in my eyes appeared to be devoid of life characteristics such as the flaws that litter the path taken by the process of constant transformations that life is all about. In the case of a visual sign such flaws of life can take different forms like an imperfection in a line indicating an accidental move of the author’s hand. I always felt that the absence of such signs of life deny human craft qualities to these works. And this is how I started to experiment diverse methods to digitally transform photographs of my paintings. In 2006 I terminated 12 digital variations of each of the 40 acrylics in my acrylics “artsense” series. This gave 480 digital variations that were edited as very short limited edition prints. These works can be viewed here.

I later summed up my feelings about what I see are the main differences between fractals and digital transformations in the following posts:

A sketch of the series "From Modernity to After-Modernity” (1)

A few weeks ago my friend Titus Hora (Facebook, Pinterest), and I, entered a conversation relating to art which is also the core subject of this blog. I wrote a sketch of a summary about my series of posts titled “From Modernity to After-Modernity” that I wanted to share with him and I post it here for the readers of this blog who might be interested.

After formatting the series I got some 1500 book pages that I’ll further edit and gradually publish within the coming months or years. This text is the first of two posts that sketch a summary, in 10 pages, of that series (1 page summary for every 150 pages in book format).

Art. From tribal to power societies.

In the present stage of our understanding tribal art roughly emerged around 40,000  years ago while Chinese Xieyi painting, Chinese Buddhism and Christianity only started around 500 AD.

Calligraphy originates sometimes before 200 BC. It was revered as a fine art in line with poetry and music while painting was merely viewed as a craft applied in the field of decoration, remembrance of ancestors, or illustration of daily life. Xieyi appeared later as an extension of calligraphy and this is when painting finally acceded to the status of a fine art in China.

What is striking, in the juxtaposition of images here under, is how visually similar Chinese Xieyi painting is to tribal art. Chinese Buddhism still has some common traits with tribal art but with Christianity we enter into a whole new world.

Why is Xieyi so similar to tribal art?
Why is Christian art depicting such a totally different world than tribal and Xieyi art?

Tentative Visual Encyclopedia of art

How to understand art?

Through reason with words?

Or through images of the thing itself?