"The continuity of the cultural field". (2) Modernity is dieing. What comes after Modernity ?

While writing my earlier books I published a first draft  week after week.  

For the present book I will, from time to time, publish some parts that I think illustrate a particular   flavor of our present air of the time. 

 

Today I offer a chapter about what comes after Modernity.
Your comments are welcome.

The 2nd batch of 256 paintings of wall 202 are online

Pushing the envelope to 19.2 x 28.8 meters ...  (continuum of 1024 digital paintings). 

This second batch represents the second quarter of 256 paintings...  The print size of each digital painting is 60 x 90 cm.

The complete gallery of this second quarter of wall 2-02 is online (Gallery B = 256 paintings).

Here under are a few samples from this collection of 256 digital paintings.

From Modernity to After-Modernity (about chapter 5)

 Part 2. Theoretical considerations
Chapter 5. About the arts

Hello to my regular readers and to everybody else,


As of my post last Friday my writing this winter already generated 560 book pages.  I started working on the last chapter, this chapter 5, but will pass this week's publication because I was exhausted and needed some time to put my ideas together. This chapter should be the culmination of this winter's writing so I feel I need to get it right.

This is how I presently envisage the architecture of this text:

Can anyone actually define what a "True Artist" is? (2)

This is a follow-up on my last post here on Crucial Talk and completes the transcription of my posts on the thread "Can anyone actually define what a "True Artist" is?" on the LinkedIn forum

Can anyone actually define what a "True Artist" is?

(This is a re-publishing of the content of my postings in a discussion started by Ron Croci on Linkedin under the same title as here above.)

The term "artist" in visual art has been in use for only a relatively short time. Before the Renaissance the "picture makers" were considered being craftsmen of very low social standing put in charge of illustrating the story of the Christian creed.