A painting from 1515 turns a mirror on its Western viewers

Hell Is for White People.

"A painting from 1515 turns a mirror on its viewers" in Cabinet Magazine by Alexander Nagel.

Nagel's commentary is well worth the 5 minutes necessary to read it. Here is how Rumple describes Nagels' commentary on Metafilter :

First devastating societal blow in Late-Modernity (10)

5.  A gradual shift from a Western to an Eastern model of society

5.2.  Toward a world confederation of regional blocs (REBS)

The Western centric world institutions, created after the 2nd World War, did not adapt to a changing Geo-political reality. Western countries have been resisting the institutional reset that naturally should have followed the shifting of the center of gravity of the economy-world towards East-Asia. Under necessity the world is now starting to turn toward an alternative institutional setting to accomplish what the international institutions no longer can.  Along the last decades we observed the the first timid steps of the re-organization of the world, into Regional Economic Blocs (REBs) and the twenties, of this 21th century, will see an acceleration of that process.

An ode to blogs

You are What you Read: How to Manage your Personal Echo Chamber

By Ugo Bardi  [ member of the Club of Rome, faculty member of the University of Florence, and the author of "Extracted" (Chelsea Green 2014), "The Seneca Effect" (Springer 2017), and Before the Collapse (Springer 2019) ]

I believe that blogs are by far the best source of information for individuals like you and me.   

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5. The shift from a Western to an Eastern model of society

5.1. after covid-19 reality = affirmation of regional blocs

The economic reset, that is taking place in this first part of the 21th century, is a historical event fraught with danger. The West is losing its hegemony over an evolving Late-Modernity. The center of gravity of the economy-world is moving to a nation outside the Western civilizational realm.  But the West, or would it be better to say the USA, is not taking this reset agreeably and is multiplying the provocations against China.

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Part 5:  The shift from a Western to an Eastern model of society

Economic reality finances the social and cultural endeavors of a society and so the comparative influence of societies in the international sphere is given primarily by their economic power. The following table traces the evolution of economic power between the West and East-Asia over the last 20 years.

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4.2. the last stand of ‘big capital holders’

Western big capital holders’ have always been well aware of the financial mess the US and Europe have gradually created for themselves. The core of their strategy now is to suck all they can out of their countries of origin and the easiest conduit to realize just that is through the national banks’ money creation capabilities.  The recently approved Cares’ act in the US gives them the legal cover they need to ensure a non-stop supply of free dollars from the Fed all the while imposing ‘the reason that is at work within capital’ to society at large.

The Cares’ act is the first step of a hastily conceived financial strategy to try to push through a radical worldwide reset of the governance-world. The plan is to finance a campaign to maximize the control of big capital holders over the whole earth by affecting the following 3 determinant factors of the governance-world :

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Part 4.  The virus is the pin that deflated the bubble of everything

“  In less than three decades, a mere blink of the eye in historical terms, the United States has gone from the world’s sole superpower to a massive foundering wreck that is helpless before the coronavirus and intent on blaming the rest of the world for its own shortcomings.  … But how and why did this pitiable condition come about? Is it all Donald Trump’s fault as so many now assume? Or did the process begin earlier?

The answer for any serious student of imperial politics is the latter. ... two things are clear. One is that the process did not start under Trump, while the other is that it will undoubtedly continue regardless of who wins in November. Once collapse sets in, it’s impossible to stop.”  (1)

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Part 3. an unquestionable qualitative difference

By way of introduction let me first observe that, for the first time since the emergence of High-Modernity, Western governments have answered a pandemic by privileging peoples’ lives over the profits of capital. What is it that motivated such a political turning point ?

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Part 2.  Timeline of the Chinese answers to the outbreak of ‘Covid-19’

The fact that the COVID-19 epidemic broke out in Wuhan does not imply that the virus originated in Wuhan. In matter of fact the origin of COVID-19 is still unknown. Calling it “China virus” or “Wuhan virus” is thus dishonest to say the least. It reflects a will, by those who use such terms, to manipulate peoples’ minds and glue in the collective unconscious a narrative that satisfies their ideological interests.

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Part 1.  Western propaganda distorts reality 

Late-Modernity, humanity’s present historical era, is being swept by two waves of worldwide changes that impact one another and announce a new historical era in the forming:

• the Late-Modern governance-world is undergoing a shift of its center of gravity from the West to the East (1)

• the side-effects of Modernity are increasingly becoming a threat to life on earth

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I wrote the following in the introduction of “What is going on ? ” and it describes perfectly well what the present CoronaVirus episode, in the History of Late-Modernity, is unleashing on human societies the world over :

The spectacle of a Western break-down

I had written a comment as a response on an article titled "It’s Time for Conscious Uncoupling With China" that was written by Dan Harris and published on "The China law blog" this April 11, 2020.

_________

I now share this response on my blog because "The China Law Blog" censured it while in no way does it peddle fake-news, nor does it attack individuals, nor does it use foul language. It conveys an analytical sketch of the present moment in history. In other words refusing to publish it was a blatant act of censuring free speech. A screenshot of freedom made in the USA...

_________

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I have been busy these last 4 months making one thousand and twelve digital transformations of painting 2-02 of my 'grand project' series. 

The CoronaVirus outbreak that occurred in China in the beginning of January soon locked me down in Beijing and this eliminated the brouhaha of society that helped me to focus on the technicalities of digital imaging. 

But the extraordinary nature of the epidemic, and the even more extraordinary nature of the language that was accompanying it, kept me coming back to the web. What impressed me most is that while the epidemic transformed in a pandemic the language in use in the West morphed into virulent propaganda; a sign that the pandemic is somehow radically altering the geo-political balance of power. 

My intellectual curiosity was aroused and to get a better grip on the reality I decided that after finishing this series of digital transformations I would restart to write about the societal and geo-political transformations that are taking place under our very eyes. 

What follows is a new series of posts that will form, the first draft material of, a 3rd book about our contemporary circumstances.

Book 1 :  "A growing disconnect between East and West".  Published in October 2018

Book 2 :  "What is going on ? ".  Published on the 06th of December 2019.

Book 3 :  "A first devastating blow in Late-Modernity".

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The 4th batch of 256 paintings of wall 202 are online

Pushing the envelope to 19.2 x 28.8 meters ...  (continuum of 1024 digital paintings). 

This 4th batch represents the 4th quarter of the wall (D) and represents 256 paintings...  

The print size of each digital painting is 60 x 90 cm and the complete gallery of this 4th quarter of wall 2-02 is now online (Gallery D = 256 paintings).

Here under are a few samples from this collection of 256 digital paintings.

The 3rd batch of 256 paintings of wall 202 are online

Pushing the envelope to 19.2 x 28.8 meters ...  (continuum of 1024 digital paintings). 

The third batch represents the 3rd quarter of the wall and represents 256 paintings...  The print size of each digital painting is 60 x 90 cm.

The complete gallery of this second quarter of wall 2-02 is online (Gallery C = 256 paintings).

Here under are a few samples from this collection of 256 digital paintings.