Organic art = the patterns of life (5)

4.  Western Late-Modernity sows the seeds of After-Modernity

Long ago it downed on me that there is no way to untangle the arts from societal evolution and its economic, political or geo-political aspects. All are intertwined and their interconnections are what creates the reality of what happens in our present societies.

Understanding our present implies that we get a handle on the evolution of these interconnections from the past, to the present, to the future.

Only when we understand our present can we feel the ways of our species in the future and then we adapt our being accordingly in the present …

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Organic art = the patterns of life (4)

3.  In the 20th century the 3rd world was forced to adopt Modernity in order to survive

For the last 40 years I had the great chance of being a close witness of the Chinese story and I observed that to ensure the survival of their nation the Chinese, in a first move, largely copied Western Modernity.

With the benefit of hindsight it becomes evident that a second move down the road will enable them to walk their own national way into the future. There is no better guide than the artworld to understand how the country is generating its own way by forcing the integration of Modernity inside Chinese Traditional Culture.

And so under the sheer weight of population numbers China is quietly shedding Modernity’s old Western skin...

Organic art = the patterns of life (3)

2.   how did Modernity emerge in Europe

Why is understanding the emergence of Modernity so important ? Well, in order to survive in the 20th century, all countries on earth were forced to convert to the quasi-worldview of Modernity and to the reason that is at work within capital. What ensued was a radical departure from the past that thoroughly impacted the ways of thinking and the behaviors of the individuals in all third-world nations. And this resulted in a blow-back of monumental proportion on their worldviews, culture, art, and societal governance.

I observed first hand how – the art world in Beijing during the eighties was mesmerized to ape Western productions, rock and punk music, the modernist avant-garde painting, – and how this resulted in three decades of sheer insanity. Things have certainly evolved since then but the blow-back resulting from aping the first world has still not been completely digested...

Having said that the fact of the matter is that the blow-back on the 3rd world is nothing compared to the chaos that was unleashed on the first world.

Today we come to suspect that Modernity and capitalism have cursed humanity. And nothing could liberate us more thoroughly from this curse than by gaining a clear comprehension of why and how Modernity emerged in Western Europe in the first place and how things then evolved toward Late-Modernity.

Organic art = the patterns of life (2)

1. The nature and function of art over the last tens of thousands of years


In my last article I wrote “ Life is a rare gift in the universe but our power societies, and more particularly the quasi-worldview of Modernity, lost touch with this evidence. Now that we start to grasp the fact that this gift could be taken away we come to appreciate that it is the most precious thing we ever had. ”

Since the principle of life is the most important thing we ever had would it not be logical to derive all our ideas and actions about how to live from this principle ?

The first question that arises is then ‘what is life? ‘.

Organic Art = the patterns of life (1)

I terminated the digital variations of painting 1-03 of the "grand project".

Here follow some samples and some initial commentaries.


Check the entire collection of all 256 digital paintings here.

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What’s going on here ? (6)

3. determinant factors driving the ‘governance-world’

Present post:

- Societal atomization
- Creeping totalitarianism
- Western illusions
- The West has no clue about China's strategy
- The West is setting itself up for a rude awakening
- The empire loses its clients

My next post

... I'm taking 2 months off ...
The next post in this series will appear on  Friday 2019-09-06:
4. the grand convergence of all the side-effects of Modernity
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What’s going on here ? (5)

2. the cultural context forces human thinking and actions

The present post covers:

-  chapter 2.3.   Culture
-  chapter 2.4.  Collision of our cultural context with societal collapse

Next week’s post will cover:

-  chapter 3. determinant factors driving the ‘governance-world’

What’s going on here ? (4)

2. the cultural context forces human thinking and actions


The present post covers:

-  chapter 2.2. Societal worldviews


Next week’s post will cover:

-  chapter 2.3. Culture

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What’s going on here ? (3)

2. the cultural context forces human thinking and actions

The present post covers:

-  the introduction of this part 2

-  and its first chapter 2.1. Axioms of civilizations.

Next week’s post will cover:

-  chapter 2.2. Societal worldviews 
-  chapter 2.3. Culture 
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What’s going on here ? (2)

1. Pragmatism versus ideology

I’m foremost a thinker and a painter And I want to make clear from the get go that painting does not happen in a void. You certainly withdraw to a certain extent from the societal noise. But the societal noise is never far away and it somehow always finds a way to creep back into your mind. So the mind is never really totally detached from what is going on in human affairs. And so, whatever the views of the artist about what art is all about, the fact of the matter is that the act of painting itself can’t avoid to be tainted by what is going on around the image maker. In other words art is not a think on itself. Art is an integral part of societal life. And once this idea is firmly ingrained in the mind “art for art’s sake” appears for what it truly is: an aberration.

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What’s going on here ? (1)

The disorder in the world of human affairs has been rapidly accelerating since the publishing of my book “A growing disconnect between East & West”.

At the time I concluded with the following observations:

All 256 digital variations of 1-02 are now online

The complete gallery, with all 256 digital variations of painting 1-02  from "the grand project", is now available here.

All 256 digital variations of 1-01 are now online

The complete gallery, with all 256 digital variations of painting 1-01 from "the grand project", is now available here.

Digital variations of oil paintings

I had been playing with various fractal apps in the early 2000’s and marveled shortly at the wild gyrations on the screen. But I rapidly started to feel uneasy with the machine like perfect outcome of those works. Such a perfection in my eyes appeared to be devoid of life characteristics such as the flaws that litter the path taken by the process of constant transformations that life is all about. In the case of a visual sign such flaws of life can take different forms like an imperfection in a line indicating an accidental move of the author’s hand. I always felt that the absence of such signs of life deny human craft qualities to these works. And this is how I started to experiment diverse methods to digitally transform photographs of my paintings. In 2006 I terminated 12 digital variations of each of the 40 acrylics in my acrylics “artsense” series. This gave 480 digital variations that were edited as very short limited edition prints. These works can be viewed here.

I later summed up my feelings about what I see are the main differences between fractals and digital transformations in the following posts:

The War With China is Already Under Way

"The only acceptable status for China is as a distinctly lesser power. To ensure such an outcome, administration officials insist, the U.S. must take action on a daily basis to contain or impede its rise. "

After the Trade War, a Real War with China?

" Five hundred years ago, Hernán Cortés began the European annihilation of the Mayan, Aztec, and other indigenous civilizations in the Western Hemisphere.  Six months later, in August 1519, Magellan [Fernão de Magalhães] launched his circumnavigation of the globe.  For five centuries thereafter, a series of Western powers — Portugal, Spain, Holland, Great Britain, France, Germany, Russia, and, finally, the United States — overturned preexisting regional orders as they imposed their own on the world.  That era has now come to an end."

 Remarks to the St. Petersburg Conference on World Affairs
by Ambassador Chas W. Freeman, Jr. (USFS, Ret.)
Senior Fellow, Watson Institute for International and Public Affairs, Brown University
St. Petersburg, Florida, 12 February 2019

A sketch of the series "From Modernity to After-Modernity” (1)

A few weeks ago my friend Titus Hora (Facebook, Pinterest), and I, entered a conversation relating to art which is also the core subject of this blog. I wrote a sketch of a summary about my series of posts titled “From Modernity to After-Modernity” that I wanted to share with him and I post it here for the readers of this blog who might be interested.

After formatting the series I got some 1500 book pages that I’ll further edit and gradually publish within the coming months or years. This text is the first of two posts that sketch a summary, in 10 pages, of that series (1 page summary for every 150 pages in book format).

E-book

An e-book of all posts in the series “A growing disconnect between China and the West”.

After editing the posts the e-book totals 150 pages.

Click on its cover page hereunder for download.

Art. From tribal to power societies.

In the present stage of our understanding tribal art roughly emerged around 40,000  years ago while Chinese Xieyi painting, Chinese Buddhism and Christianity only started around 500 AD.

Calligraphy originates sometimes before 200 BC. It was revered as a fine art in line with poetry and music while painting was merely viewed as a craft applied in the field of decoration, remembrance of ancestors, or illustration of daily life. Xieyi appeared later as an extension of calligraphy and this is when painting finally acceded to the status of a fine art in China.

What is striking, in the juxtaposition of images here under, is how visually similar Chinese Xieyi painting is to tribal art. Chinese Buddhism still has some common traits with tribal art but with Christianity we enter into a whole new world.

Why is Xieyi so similar to tribal art?
Why is Christian art depicting such a totally different world than tribal and Xieyi art?

Humanity’s future and the role of the artist

This series of posts about “the disconnection between the West and China” centers around societal evolution, and more particularly, the present shifting of the center of gravity of the economy-world from the US to the territorial expanse of the Chinese civilization in North-East Asia. In the preceding posts we have seen how this shift is due to the interactions between the following factors:

Tentative Visual Encyclopedia of art

How to understand art?

Through reason with words?

Or through images of the thing itself?

The communist party ‘owns’ China

In the Peoples Republic of China the communist party literally owns the institutions of state and no interference in the decision making of these institutions is accepted by any group of interest. This is quite different from the West where lobbies write the laws relating to their interests. What this means is that the communist party has an absolute control over the way society functions. Now this does not mean, as most Westerners believe, that China is a dictatorship. Individuals and economic actors are participating in the decision making process by giving their ideas and opinions about what should be done. During this consultation phase civil society debates with the representatives of the party and the state about solutions and the media also relays these debates. Once the consultation phase concludes civil society retreats and lets the party and state institutions formalize the decisions and their implementation. And once the rules of the game have been formalized everybody is expected to participate in their implementation.

Big capital holders own Western ‘democracies’

In democracies a few families own controlling stakes of the capital that is invested in strategic sectors of the economy. This gives them, for example, the control over the media and ensures them the power to shape public opinion. And so the political decision making process is rendered captive of a public opinion that is being constantly framed around the interests of big capital holders.

How societies work & the role of worldviews and art

In my last post I tried to brush a rapid sketch of the profound mental disconnect between the West and China. In the present post I’ll brush an even more rapid sketch about how large societies function; it lays the foundations upon which, in my next 3 posts, I’ll build a more in-depth comparative analysis between the present and the future of Western and Chinese societies.

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Center of gravity of the economy-world and worldviews

This article is a sketch of the general context of the present moment we find ourselves in the world. It comes as a conclusion of my short series “the disconnection in perceptions between East and West”. I'll follow this sketch with 2 more posts addressing – the realities on the ground in China and the West, – their future prospects in view of their present realities.