What’s going on here? (12)

7. Finding meaning in life

 

This post addresses the following:

7.1.  on the emergence of societal evolution and art

7.2.   about the mind and thinking

7.3.   about truthfulness: the mind and society

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What’s going on here ? (11)

6. societal collapse


Over their thousands of years of observation, of nature and of human activities in nature, the ancient tribal wo(men) of knowledge concluded that humans have a nefarious tendency to damage their habitat. To counter this tendency they devised what is called “the precautionary principle” or in the words of Black Elk “the 7th Generation principle”.1 Both of these principles teach that it is imperative to make certain every, personal or societal, decision will not negatively impact the life of future generations. These principles are part of a worldview that was elaborated over the long time span of tens of thousands of years.


With Modernity ‘the reason that is at work within capital’ concerns itself with one thing only and that is to generate profits. Those who venerate the reason get rich and enjoy an abundance of material possessions. All other citizens envy their richness and the abundance of their possessions. This worldview was elaborated over the relatively short time span of 6-8 centuries.
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What’s going on here ? (10)

5. art in the societal maelstrom

 
“ The situation we are in –in terms of what receives attention and prominence– is post-art. At this time, and in social space, art is basically an adjunct of the entertainment business. … The issue is how to snap art out of its death trance –living its own death, so to speak– and make it once again a living and lived experience.” ¹.

“How to snap art out of its death trance and make it once again a living and lived experience” ?    Hum… assumptions will not revive the function of art Mr. Kuspit !

The reality is that, over 99.9% of the historical span of societal evolution, art was first and foremost a societal matter while the individual genius was at best an accessory. In that sense snapping art out of its death trance, if it ever happens, will be a societal feat and not the heroic act of individual geniuses. And the probability, that such a societal feat will be instigated by human will, does not register high on the scale of realism.

But how did art enter its death trance in the first place ?

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What’s going on here ? (9)

4. determinant side-effects of Modernity

From a very long haul perspective the present re-balancing of world affairs appears as the rebuilding of the governance-world in the wake of a category 5 economic hurricane that swept the whole world of its postmodern pipe-dream fantasies. In contrast in the aftermath of the great convergence of all the side-effects of Modernity there is a very high probability that nothing will be left to rebuild. In the most innocuous of all possible scenarios only a small number of humans will survive who eventually will be forced to start a new cycle of “societal evolution” in order to survive.

What’s going on here ? (8)

3.8. emergence of A new world order 

The day, when international transactions will be paid for with a new world currency, will be recognized in history as the day a new multilateral world order will have succeeded to bury the short uni-polar reign of the American empire. This new multilateral world order will have East-Asia as its core and Beijing will act as its center of gravity.

The present  post addresses the following:

4.1. community versus empire

4.2. Western prospects
4.3. Western Modernity is out, what comes next ?

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'One World Rent' against the 'rot dollar'

Vivienne Westwood Spring/Summer 2020 Lookbook

The "only way to save the world" is to ban land ownership, says Vivienne Westwood

What’s going on here ? (7)

3.7. about the center of gravity of the economy-world

The last post in this series was What’s going on here ? (6) and it addressed the following:

3. determinant factors driving the ‘governance-world’

3.1. Societal atomization
3.2. Creeping totalitarianism
3.3. Western illusions
3.4. The West has no clue about China's strategy
3.5. The West is setting itself up for a rude awakening
3.6. The empire loses its clients

The present post is a continuation and addresses the following 2 realities:

• how the center of gravity of the economy-world shifted multiple times along its history,
•  how it is presently shifting from the West (Washington) to East Asia (Beijing).

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Organic Art Manifesto

I just published the first version of my "Organic Art Manifesto". Its present form is a customization in book form of my last 7 blog posts titled "Organic art  =  the patterns of life" . Later I'll further edit the text. In the meantime I would be grateful to anyone for any suggestions or critiques. Please use the comment section or the mail-form.

Click on image to read or download the PDF (free)

Organic art = the patterns of life (7)

6.   organic art as answer in the context of Late-Modernity

The concepts ‘beauty’ and ‘ugliness’ are abstract derivations by the mind of a physical awareness that originates in the brain. An awareness of something the brain inherited from biological evolution.

Our brain stores information and uses some of it to take its decisions concerning our integrity and survival. Along their societal evolutionary path humans became aware, in their minds, of a very little portion of this information. It made us aware of ourselves and of our near environment. This set in motion a process of knowledge formation that initiated the rise of societal evolution.

Art emerged as a tool of societal evolution to share knowledge with all and ensure societal reproduction. But by Late-Modernity art, in Western societies, had reached a stage of nothingness. In their search for sense some artists discovered that the fundamentals of the principle of life wash away the arbitrariness of ideologies... and organic art slowly emerged out of the nightmare of Late-Modernity.

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5.  After-Modernity and the prospects of an artistic awakening

Over the last 50 years a great convergence has slowly been taking place, between – the crisis of the governance-world – and the multitude side-effects of Modernity, that is evolving into a drastically new living environment.

This convergence will result in a radical drop of the world population and life will be forced to re-organize locally in small groups surviving under the reign of necessity. Their most vital priority will be the reproduction of their societies over the long haul and to ensure this the minds will be glued by new foundational narratives grounded in myths fixing the memory of what caused the fall of Modernity.

Modern knowledge will rapidly be forgotten and visual signs will thus become the vehicle of choice to share knowledge with all. That’s how the historical nature of art returns with a vengeance …