Since Beijing is still at a standstill, due to the coronavirus
spreading from Wuhan, I initiated a new series of digital variations from painting 2-02 of the grand project.
Once terminated this new wall will total 1024 digital paintings that will be available as limited edition prints sized each at 60 x 90 cm.
The complete gallery of the first quarter (A = 256 paintings) of wall 2-02 is online.
Here under are a few samples from this collection of 256 digital paintings.
2020-02-20
2020-02-07
Wall 201 is online
I took the opportunity of Beijing's standstill, due to the coronavirus spreading from Wuhan, to terminate a new series of digital variations,
The complete gallery of wall 2-01 is online.
Here under are a few samples from this collection of 256 digital paintings.
2020-01-04
The seven trends that will define China in the 2020s
This is a summary and a commentary on a very interesting article by Andrew Leung titled "The seven trends that will define China in the 2020s " that was published today 2020-01-04 in the South China Morning Post.
2020-01-02
We are rapidly sliding into a new era
The 20ths of the 21st century are going to be remembered as a turning point in world History. Vital trends have been accelerating for years and are now reaching a tipping point. The overriding factor at work here is the shift of the center of gravity of the economy-world from the West (with Washington-NewYork at its core) to the East (with Beijing-Shanghai at its core.
2019-12-29
Wall 105 is online
2019-12-15
Wall 104 is online
2019-12-12
2019-12-10
Digital transformations wall 104
Some new digital transformations
1. First some links to necessary technical information:
- what is the "Grand Project" ?
- differences between digital transformations and algorithmic painting
- how does organic art measure up in artistic evoluttion
- galleries to Digital Transformations Walls 101, 102, 103
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2019-12-06
First 2 paintings from the 104 series
I started the digital transformations of painting 1-04 of the "grand project". This series will total 256 digital paintings and they are forming a continuum as you can see on Digital transformations 1 + 2. When this series is terminated the wall of 256 paintings will have a size of 9.6 x 14.4 meters. The original oil painting as well as the prints of each digital transformation have a size of 60 x 90 cm.
Click on images to blow up to your screen width.
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2019-12-04
What is going on ? The book.
1. Book
I just published "What is going on ?" in book form (302 pages). Click here for a free download.
This is a first version customization in book
form of my series of 14 posts going by the same title.
After letting the book settle for a while
I'll eventually further edit the text.
In the meantime I would be grateful to
anyone for any suggestions or critiques. Please use the comment section
or the mail-form.
________________
2019-11-28
What’s going on here? (14)

Everyone can find meaning in life by concentrating on perfection in the execution of one’s activities or in sharing the love of a family or of a community of friends. But does this appease our existential questions ? Does it help us find solace in our societal arrangement ? Or more generally is this satisfying all the demands of the mind ?
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2019-11-21
What’s going on here ? (13)
7.4.
knowledge formation and societal evolution
This post addresses the following:
7.4.1.
The role of the mind
7.4.2.
Limitations to the societal formation of knowledge
Two
ideas, stand out in “7.2. About the mind and thinking“,
that have fundamental implications for the societal process of
knowledge formation :
-
“ the total power of the ‘body’s processing machine’1 is bound to remain hidden forever from our thinking mind “
- “ the difficulty to master the process of conscious reconciliation of the subconscious experience is an intrinsic limitation to the formation of knowledge “
This post addresses the following:
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2019-11-13
2019-11-07
What’s going on here ? (11)
6. societal collapse
Over their thousands of years of observation, of nature and of human activities in nature, the ancient tribal wo(men) of knowledge concluded that humans have a nefarious tendency to damage their habitat. To counter this tendency they devised what is called “the precautionary principle” or in the words of Black Elk “the 7th Generation principle”.1 Both of these principles teach that it is imperative to make certain every, personal or societal, decision will not negatively impact the life of future generations. These principles are part of a worldview that was elaborated over the long time span of tens of thousands of years.
With Modernity ‘the reason that is at work within capital’ concerns itself with one thing only and that is to generate profits. Those who venerate the reason get rich and enjoy an abundance of material possessions. All other citizens envy their richness and the abundance of their possessions. This worldview was elaborated over the relatively short time span of 6-8 centuries.
_____________
Over their thousands of years of observation, of nature and of human activities in nature, the ancient tribal wo(men) of knowledge concluded that humans have a nefarious tendency to damage their habitat. To counter this tendency they devised what is called “the precautionary principle” or in the words of Black Elk “the 7th Generation principle”.1 Both of these principles teach that it is imperative to make certain every, personal or societal, decision will not negatively impact the life of future generations. These principles are part of a worldview that was elaborated over the long time span of tens of thousands of years.
With Modernity ‘the reason that is at work within capital’ concerns itself with one thing only and that is to generate profits. Those who venerate the reason get rich and enjoy an abundance of material possessions. All other citizens envy their richness and the abundance of their possessions. This worldview was elaborated over the relatively short time span of 6-8 centuries.
_____________
2019-10-31
What’s going on here ? (10)
“ The situation we are in –in terms of what receives attention and prominence– is post-art. At this time, and in social space, art is basically an adjunct of the entertainment business. … The issue is how to snap art out of its death trance –living its own death, so to speak– and make it once again a living and lived experience.” 1.
“How
to snap art out of its death trance and make it once again a living
and lived experience” ? Hum… assumptions will not revive
the function of art Mr. Kuspit !
The
reality is that, over 99.9% of the historical span of societal
evolution, art was first and foremost a societal matter while the
individual genius was at best an accessory. In that sense snapping
art out of its death trance, if
it ever happens, will
be a societal feat and not the heroic act of individual geniuses.
And the probability, that
such a societal feat will be instigated by human will, does
not register high on
the scale of realism.
But
how did art enter its death trance in the first place ?
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