What’s going on here ? (9)

4. determinant side-effects of Modernity

From a very long haul perspective the present re-balancing of world affairs appears as the rebuilding of the governance-world in the wake of a category 5 economic hurricane that swept the whole world of its postmodern pipe-dream fantasies. In contrast in the aftermath of the great convergence of all the side-effects of Modernity there is a very high probability that nothing will be left to rebuild. In the most innocuous of all possible scenarios only a small number of humans will survive who eventually will be forced to start a new cycle of “societal evolution” in order to survive.

What’s going on here ? (8)

3.8. emergence of A new world order 

The day, when international transactions will be paid for with a new world currency, will be recognized in history as the day a new multilateral world order will have succeeded to bury the short uni-polar reign of the American empire. This new multilateral world order will have East-Asia as its core and Beijing will act as its center of gravity.

The present  post addresses the following:

4.1. community versus empire

4.2. Western prospects
4.3. Western Modernity is out, what comes next ?

____________

'One World Rent' against the 'rot dollar'

Vivienne Westwood Spring/Summer 2020 Lookbook

The "only way to save the world" is to ban land ownership, says Vivienne Westwood

What’s going on here ? (7)

3.7. about the center of gravity of the economy-world

The last post in this series was What’s going on here ? (6) and it addressed the following:

3. determinant factors driving the ‘governance-world’

3.1. Societal atomization
3.2. Creeping totalitarianism
3.3. Western illusions
3.4. The West has no clue about China's strategy
3.5. The West is setting itself up for a rude awakening
3.6. The empire loses its clients

The present post is a continuation and addresses the following 2 realities:

• how the center of gravity of the economy-world shifted multiple times along its history,
•  how it is presently shifting from the West (Washington) to East Asia (Beijing).

__________

Organic Art Manifesto

I just published the first version of my "Organic Art Manifesto". Its present form is a customization in book form of my last 7 blog posts titled "Organic art  =  the patterns of life" . Later I'll further edit the text. In the meantime I would be grateful to anyone for any suggestions or critiques. Please use the comment section or the mail-form.

Click on image to read or download the PDF (free)

Organic art = the patterns of life (7)

6.   organic art as answer in the context of Late-Modernity

The concepts ‘beauty’ and ‘ugliness’ are abstract derivations by the mind of a physical awareness that originates in the brain. An awareness of something the brain inherited from biological evolution.

Our brain stores information and uses some of it to take its decisions concerning our integrity and survival. Along their societal evolutionary path humans became aware, in their minds, of a very little portion of this information. It made us aware of ourselves and of our near environment. This set in motion a process of knowledge formation that initiated the rise of societal evolution.

Art emerged as a tool of societal evolution to share knowledge with all and ensure societal reproduction. But by Late-Modernity art, in Western societies, had reached a stage of nothingness. In their search for sense some artists discovered that the fundamentals of the principle of life wash away the arbitrariness of ideologies... and organic art slowly emerged out of the nightmare of Late-Modernity.

Organic art = the patterns of life (6)

5.  After-Modernity and the prospects of an artistic awakening

Over the last 50 years a great convergence has slowly been taking place, between – the crisis of the governance-world – and the multitude side-effects of Modernity, that is evolving into a drastically new living environment.

This convergence will result in a radical drop of the world population and life will be forced to re-organize locally in small groups surviving under the reign of necessity. Their most vital priority will be the reproduction of their societies over the long haul and to ensure this the minds will be glued by new foundational narratives grounded in myths fixing the memory of what caused the fall of Modernity.

Modern knowledge will rapidly be forgotten and visual signs will thus become the vehicle of choice to share knowledge with all. That’s how the historical nature of art returns with a vengeance … 

Organic art = the patterns of life (5)

4.  Western Late-Modernity sows the seeds of After-Modernity

Long ago it downed on me that there is no way to untangle the arts from societal evolution and its economic, political or geo-political aspects. All are intertwined and their interconnections are what creates the reality of what happens in our present societies.

Understanding our present implies that we get a handle on the evolution of these interconnections from the past, to the present, to the future.

Only when we understand our present can we feel the ways of our species in the future and then we adapt our being accordingly in the present …

---

Organic art = the patterns of life (4)

3.  In the 20th century the 3rd world was forced to adopt Modernity in order to survive

For the last 40 years I had the great chance of being a close witness of the Chinese story and I observed that to ensure the survival of their nation the Chinese, in a first move, largely copied Western Modernity.

With the benefit of hindsight it becomes evident that a second move down the road will enable them to walk their own national way into the future. There is no better guide than the artworld to understand how the country is generating its own way by forcing the integration of Modernity inside Chinese Traditional Culture.

And so under the sheer weight of population numbers China is quietly shedding Modernity’s old Western skin...

Organic art = the patterns of life (3)

2.   how did Modernity emerge in Europe

Why is understanding the emergence of Modernity so important ? Well, in order to survive in the 20th century, all countries on earth were forced to convert to the quasi-worldview of Modernity and to the reason that is at work within capital. What ensued was a radical departure from the past that thoroughly impacted the ways of thinking and the behaviors of the individuals in all third-world nations. And this resulted in a blow-back of monumental proportion on their worldviews, culture, art, and societal governance.

I observed first hand how – the art world in Beijing during the eighties was mesmerized to ape Western productions, rock and punk music, the modernist avant-garde painting, – and how this resulted in three decades of sheer insanity. Things have certainly evolved since then but the blow-back resulting from aping the first world has still not been completely digested...

Having said that the fact of the matter is that the blow-back on the 3rd world is nothing compared to the chaos that was unleashed on the first world.

Today we come to suspect that Modernity and capitalism have cursed humanity. And nothing could liberate us more thoroughly from this curse than by gaining a clear comprehension of why and how Modernity emerged in Western Europe in the first place and how things then evolved toward Late-Modernity.

Organic art = the patterns of life (2)

1. The nature and function of art over the last tens of thousands of years


In my last article I wrote “ Life is a rare gift in the universe but our power societies, and more particularly the quasi-worldview of Modernity, lost touch with this evidence. Now that we start to grasp the fact that this gift could be taken away we come to appreciate that it is the most precious thing we ever had. ”

Since the principle of life is the most important thing we ever had would it not be logical to derive all our ideas and actions about how to live from this principle ?

The first question that arises is then ‘what is life? ‘.

Organic Art = the patterns of life (1)

I terminated the digital variations of painting 1-03 of the "grand project".

Here follow some samples and some initial commentaries.


Check the entire collection of all 256 digital paintings here.

---

What’s going on here ? (6)

3. determinant factors driving the ‘governance-world’

Present post:

- Societal atomization
- Creeping totalitarianism
- Western illusions
- The West has no clue about China's strategy
- The West is setting itself up for a rude awakening
- The empire loses its clients

My next post

... I'm taking 2 months off ...
The next post in this series will appear on  Friday 2019-09-06:
4. the grand convergence of all the side-effects of Modernity
__________

What’s going on here ? (5)

2. the cultural context forces human thinking and actions

The present post covers:

-  chapter 2.3.   Culture
-  chapter 2.4.  Collision of our cultural context with societal collapse

Next week’s post will cover:

-  chapter 3. determinant factors driving the ‘governance-world’

What’s going on here ? (4)

2. the cultural context forces human thinking and actions


The present post covers:

-  chapter 2.2. Societal worldviews


Next week’s post will cover:

-  chapter 2.3. Culture

---

What’s going on here ? (3)

2. the cultural context forces human thinking and actions

The present post covers:

-  the introduction of this part 2

-  and its first chapter 2.1. Axioms of civilizations.

Next week’s post will cover:

-  chapter 2.2. Societal worldviews 
-  chapter 2.3. Culture 
__________

What’s going on here ? (2)

1. Pragmatism versus ideology

I’m foremost a thinker and a painter And I want to make clear from the get go that painting does not happen in a void. You certainly withdraw to a certain extent from the societal noise. But the societal noise is never far away and it somehow always finds a way to creep back into your mind. So the mind is never really totally detached from what is going on in human affairs. And so, whatever the views of the artist about what art is all about, the fact of the matter is that the act of painting itself can’t avoid to be tainted by what is going on around the image maker. In other words art is not a think on itself. Art is an integral part of societal life. And once this idea is firmly ingrained in the mind “art for art’s sake” appears for what it truly is: an aberration.

---

What’s going on here ? (1)

The disorder in the world of human affairs has been rapidly accelerating since the publishing of my book “A growing disconnect between East & West”.

At the time I concluded with the following observations:

All 256 digital variations of 1-02 are now online

The complete gallery, with all 256 digital variations of painting 1-02  from "the grand project", is now available here.

All 256 digital variations of 1-01 are now online

The complete gallery, with all 256 digital variations of painting 1-01 from "the grand project", is now available here.

Digital variations of oil paintings

I had been playing with various fractal apps in the early 2000’s and marveled shortly at the wild gyrations on the screen. But I rapidly started to feel uneasy with the machine like perfect outcome of those works. Such a perfection in my eyes appeared to be devoid of life characteristics such as the flaws that litter the path taken by the process of constant transformations that life is all about. In the case of a visual sign such flaws of life can take different forms like an imperfection in a line indicating an accidental move of the author’s hand. I always felt that the absence of such signs of life deny human craft qualities to these works. And this is how I started to experiment diverse methods to digitally transform photographs of my paintings. In 2006 I terminated 12 digital variations of each of the 40 acrylics in my acrylics “artsense” series. This gave 480 digital variations that were edited as very short limited edition prints. These works can be viewed here.

I later summed up my feelings about what I see are the main differences between fractals and digital transformations in the following posts:

The War With China is Already Under Way

"The only acceptable status for China is as a distinctly lesser power. To ensure such an outcome, administration officials insist, the U.S. must take action on a daily basis to contain or impede its rise. "

After the Trade War, a Real War with China?

" Five hundred years ago, Hernán Cortés began the European annihilation of the Mayan, Aztec, and other indigenous civilizations in the Western Hemisphere.  Six months later, in August 1519, Magellan [Fernão de Magalhães] launched his circumnavigation of the globe.  For five centuries thereafter, a series of Western powers — Portugal, Spain, Holland, Great Britain, France, Germany, Russia, and, finally, the United States — overturned preexisting regional orders as they imposed their own on the world.  That era has now come to an end."

 Remarks to the St. Petersburg Conference on World Affairs
by Ambassador Chas W. Freeman, Jr. (USFS, Ret.)
Senior Fellow, Watson Institute for International and Public Affairs, Brown University
St. Petersburg, Florida, 12 February 2019

A sketch of the series "From Modernity to After-Modernity” (1)

A few weeks ago my friend Titus Hora (Facebook, Pinterest), and I, entered a conversation relating to art which is also the core subject of this blog. I wrote a sketch of a summary about my series of posts titled “From Modernity to After-Modernity” that I wanted to share with him and I post it here for the readers of this blog who might be interested.

After formatting the series I got some 1500 book pages that I’ll further edit and gradually publish within the coming months or years. This text is the first of two posts that sketch a summary, in 10 pages, of that series (1 page summary for every 150 pages in book format).

E-book

An e-book of all posts in the series “A growing disconnect between China and the West”.

After editing the posts the e-book totals 150 pages.

Click on its cover page hereunder for download.

Art. From tribal to power societies.

In the present stage of our understanding tribal art roughly emerged around 40,000  years ago while Chinese Xieyi painting, Chinese Buddhism and Christianity only started around 500 AD.

Calligraphy originates sometimes before 200 BC. It was revered as a fine art in line with poetry and music while painting was merely viewed as a craft applied in the field of decoration, remembrance of ancestors, or illustration of daily life. Xieyi appeared later as an extension of calligraphy and this is when painting finally acceded to the status of a fine art in China.

What is striking, in the juxtaposition of images here under, is how visually similar Chinese Xieyi painting is to tribal art. Chinese Buddhism still has some common traits with tribal art but with Christianity we enter into a whole new world.

Why is Xieyi so similar to tribal art?
Why is Christian art depicting such a totally different world than tribal and Xieyi art?

Humanity’s future and the role of the artist

This series of posts about “the disconnection between the West and China” centers around societal evolution, and more particularly, the present shifting of the center of gravity of the economy-world from the US to the territorial expanse of the Chinese civilization in North-East Asia. In the preceding posts we have seen how this shift is due to the interactions between the following factors:

Tentative Visual Encyclopedia of art

How to understand art?

Through reason with words?

Or through images of the thing itself?

The communist party ‘owns’ China

In the Peoples Republic of China the communist party literally owns the institutions of state and no interference in the decision making of these institutions is accepted by any group of interest. This is quite different from the West where lobbies write the laws relating to their interests. What this means is that the communist party has an absolute control over the way society functions. Now this does not mean, as most Westerners believe, that China is a dictatorship. Individuals and economic actors are participating in the decision making process by giving their ideas and opinions about what should be done. During this consultation phase civil society debates with the representatives of the party and the state about solutions and the media also relays these debates. Once the consultation phase concludes civil society retreats and lets the party and state institutions formalize the decisions and their implementation. And once the rules of the game have been formalized everybody is expected to participate in their implementation.

Big capital holders own Western ‘democracies’

In democracies a few families own controlling stakes of the capital that is invested in strategic sectors of the economy. This gives them, for example, the control over the media and ensures them the power to shape public opinion. And so the political decision making process is rendered captive of a public opinion that is being constantly framed around the interests of big capital holders.

How societies work & the role of worldviews and art

In my last post I tried to brush a rapid sketch of the profound mental disconnect between the West and China. In the present post I’ll brush an even more rapid sketch about how large societies function; it lays the foundations upon which, in my next 3 posts, I’ll build a more in-depth comparative analysis between the present and the future of Western and Chinese societies.

______

Center of gravity of the economy-world and worldviews

This article is a sketch of the general context of the present moment we find ourselves in the world. It comes as a conclusion of my short series “the disconnection in perceptions between East and West”. I'll follow this sketch with 2 more posts addressing – the realities on the ground in China and the West, – their future prospects in view of their present realities.

Restarting to blog

To my regular readers "welcome back" and to new readers "welcome".


Recapitulation

Since I stopped blogging over a year ago let me start with a recapitulation of my past blogging activity.

Is America still a nation?

This 4th of July Patrick Buchanan asked if America is still a nation (1).

This question touches a raw nerve and our minds ache.
What will we do without America?

America First? Hum... but China Is already starting to Dominate Global Technology!

As I wrote in the first post of this series (A growing disconnect between Chinese and Westerners) "Change is assaulting our certainties as never before. The fields it affects are multiplying while its speed is accelerating and in consequence our minds are being numbed into incomprehension".

But few would ever think that these changes already imply that the technological center of gravity of the world is leaving the US. So what follows will come as a surprise to most. The reality is that China is sprinting investing all over the place while the West is broke, its societies atomized and on the verge of violent confrontations, and the interconnections between its systems are clogged like the arteries of a patient with advanced arteriosclerosis. Treating this condition is not a given and many specialists (economists, anthropologists, sociologists, psychologists, etc...) believe that the patient is on its death bed. It should thus not come as a surprise that year after year, month after month, the scientific news is informing us that Western technological supremacy is sifting, one sector after the other, like sand falling through the fingers.

Imaginings of the future. Rational abstractions reached by the thinking mind…

1.  Past trends that help to understand the present:

 

Our present mood shapes our reading of the future.

 Does it matter if Chinese and Western perceptions about societal reality are growing further apart?  Whatever people may be thinking the fact is that this disconnect is going to have a decisive impact on how humanity's future will unfold and so I believe that those whose minds are still open and curious about the fate of humanity better watch carefully.

A growing disconnect between Chinese and Westerners

What is going on? People's perceptions in China and in the West are so absolutely out of sync nowadays that I feel the urge to write about this disconnect. Generally speaking people in China are very optimistic about the future and they trust their political decision makers while in the West people are generally pessimistic and they totally distrust their political decision makers as well as the other elites of their societies which renders them weary about the future. Am I the only one to be shocked by the intensity of this growing disconnect?

Introductory note about "From Modernity to After-Modernity"

This series is becoming so long by now that new readers might easily get lost... So let me start with an introductory note about its context.


My thinking adventure started in the nineteen-sixties and seventies. As an aspiring painter I was bewildered by the confusion reigning supreme in the art world and so I felt compelled to engage in a process of thinking about the arts and the function of the arts in society that later expanded to societal evolution and how the function of the arts adapts to the realities of changing historical times. This series tells what I learnt along the way.


What I write about is the perspective of a thinking artist and my conclusions go something like this:

• the form of artistic productions must necessarily reflect the Zeitgeist of their times and must also be aesthetically pleasing in order to attract eyeballs

• the only artistically worthwhile productions are the ones that succeed to give a peek on the emergence of the future to the viewer. In that sense the content of the artwork is paramount. It opens the minds to the emergent future and encourages us to adapt our present ideas and behaviors in consequence. Those works that succeed to catch the spirit of the future are the ones that will be remembered in the future... the rest will be forgotten.

The articles in this series are a first draft about the transition from Modernity to After-Modernity which is the historical leap of humanity out of Late-Modernity or out of our present historical era... What comes our way compares to what humanity experienced during its past 3 major societal transitions:

1. from small bands to tribes sharing a worldview called animism
2. from tribes to empires and kingdoms that launched civilizations whose societies shared a worldview called religion or philosophy 
3. from empires and kingdoms to nation-states that share a quasi-worldview called Modernity.
   

The emerging transition from Modernity to After-Modernity promises to be as earth shattering for humanity as were the 2 first of these transitions and so it is my contention that the real artists today are those who are sensitive enough to capture the spirit, of what comes after Modernity, that is starting to emerge in the present. Being the active agents of the commodification of the arts, it goes without saying that, the operators of the art market are totally blind to such considerations... My hope is to touch those whose minds are still open to knowledge and beauty...


The articles in this series will be formatted in book form and edited for publication. Book 1 (2 volumes) written during the winter 2014-2015 is about history, Book 2 (5 volumes) written during the winter 2015-2016 is about theory, and this Book 3 (1 volume) written during the winter 2016-2017 is about what the future has in store for humanity ...and so its title "Divination". 

Since writing this some years have passed. Today I published the first volume of this series under the title "The Continuum of the Cultural Field"


This collection of articles is available here. (see articles 199 to 237) 

From Modernity to After-Modernity (34)

Book 3. Divination

1. the future emerges in a given context

1.1. The quasi-Worldview of Modernity

1.1.2. Power ideologies mold the minds

In “Book 2. Volume 1. About the formation of human knowledge. 1.1. The context.  I defend the thesis  that the nature of reality is largely inaccessible to humanity (1). I further wrote that “We better recognize, early on, the fact that the whole universe is immensely vast; so vast that its true nature is inaccessible to human reason. … Inaccessibility implies the unknown and humans don't like unknowns. They have no problems with unknown "unknowns" for the good reason that unknown "unknowns" simply don't pop up in their consciousness but they feel utterly ill at ease when faced with known "unknowns" such as those nagging questions resulting from the inaccessibility of the whole universe to the human mind. Such known unknowns become obsessions that drive people in the throat of anxiety from where they search to escape at all costs. This is how societal groupings, along our entire history, have been seen coming in the picture by proposing approximations of reality, and of what the unknown is all about, to be shared by their citizens in order to sooth their anxiety. When shared by all citizens such approximations crystallize in a societal view of the world or a worldview that all consider as being the truth of the matter and this rewards those societies with higher levels of cohesion which, in turn, facilitate their reproduction from generation to generation.”

From Modernity to After-Modernity (33)

Book 3. Divination

1. the future emerges in a given context

1.1. The quasi-Worldview of Modernity

Modernity is not a worldview in the real meaning of the term. It is a quasi-worldview. A worldview relates to a holistic narrative that all citizens can share as their own understanding about what reality is all about. In other words the ideas generated by Modernity, and the facts those ideas derive, are not weaving a holistic narrative about human existential reality. As a matter of fact nor Modernity, nor science which is its active method of inquiry, are offering a narrative about what reality is all about... In this sense we come to understand why Modernity can’t answer the existential questions that pop up in peoples’ minds and why peoples’ minds are thus filing with anxiety that isolates them in the disturbing feeling of not really belonging to their societies. 

From Modernity to After-Modernity (32)

Book 3. Divination


1. the future emerges in a given context

Obviously the future does not fall from the sky.

The future is resulting from the arbitration between the multiple determinant factors that are competing in the present. In other words the competition, between the multiple determinant factors in the present, is what shapes the context out of which the future emerges.

From Modernity to After-Modernity (31)

Part 3. Divination
Introduction (continued. 4)

The future as a probabilistic outcome

The alternatives, that are shaping in the present as potential futures, are not readily visible and so the substance of the future remains invisible to the naked eye for the majority of citizens. But it is nevertheless accessible to inquiring minds. To detect these alternatives in their very early stage, I mean at the early stage of their formation as potentialities in the present, one has to entrust the subconscious by entering states of altered consciousness. It is indeed only after they have already emerged as selected future alternatives that conscious observation will possibly detect them. The fact of the matter is that the substance of these alternatives is being formatted inside the context that is shaping in the present which means that, while this context has still not been substantiated yet, future alternatives are already forming in the midst of the presently forming context. This whole process remains largely hidden to conscious observation and its visibility will only arise with its substantiation.

From modernity to After-Modernity (30)

Part 3. Divination
Introduction (continued. 3)

About divination

This “Book 3” is about getting a feel of what the future has in store for humanity and more broadly what the future has in store for life on earth. The future is perceived as being unknown so it is imperative for those who want to talk about it to clarify the methodology of their approach. This is what I propose to do here after.

From modernity to After-Modernity (29)

Part 3. Divination
Intoduction (continued. 2)


Confrontation, reconciliation, integration

The subconscious is accessible through altered states of consciousness and humanity, along the path of its societal evolution, has developed a certain number of techniques to reach such altered states in order to gain a deeper understanding of the working of reality and the place humans assume in it.

From Modernity to After Modernity 28

Part 3. Divination

Introduction. (1)


By confronting one’s conscious certainties with one’s subconscious visions one gets to reconcile them in a unified consciousness that is boosted at a higher level. This supplement of consciousness is then integrated within the scope of one’s conscious certainties. Mastering such a process fixes it in the mind and the resulting automatism engages an unstoppable quest for ever higher levels of consciousness. This is the path of the man of knowledge1 that opens one’s vision to what is emerging in the present as the substance of the future.

Writing season 2016-2017 = Book 3. Divination

Hi patient readers,

I have started writing, these last few weeks, the first draft of "Book 3: Divination" of my series "From Modernity to After-Modernity". My experience last winter with "Book 2: Theoretical Considerations" was really exhausting. Furthermore the length of my posts and the weekly publishing I had imposed on myself resulted in draft versions that I felt were sometimes not sufficiently thought out.  So I plan on a slower rhythm this winter with shorter posts (3-4000 words instead of 8-9000).

My first post, in this 2016-2017 winter series about the future, will appear on December 9th. Thinking about the future has been called divination since ancient times that's why I borrow that old word as title of the writing of this season 3 that later will become Book 3.

From Modernity to After-Modernity. (27)

Part 2. Theoretical considerations 

Summary sketch of part 2.

Life is one of the applications installed in the operating system of the universe and it emerges eventually in those of its sub-sets whose context contains all the ingredients for life to emerge.

Humanity is one of the youngest species to have evolved from such a process of emergence on earth. As all species humanity is subservient to the application of the principle of life. By that I mean that we can’t escape its rules; we are merely dancing to the tune of its music.

From Modernity to After-Modernity. (26)

Part 2. Theoretical considerations 

Chapter 5. About the arts

What follows is the table of content of the 25 posts I published during the past winter 2015-2016. These posts form part 2 of "From Modernity to After-Modernity" that addresses my personal theoretical views about societal evolution and the arts. This part 2 ended up totaling 204,122 words or some 750 book pages. I thought a table of content of this material could be useful to those of my readers who would want to read or re-read some specific parts of the content.  To find the post relating to the subject that interests you please go here.

Part 3 will address the paradigm shift that has already been set in motion during Late-Modernity. In other worlds part 3 shall address the formation of a new worldview, a new form of societal organization, and a new understanding of the arts that will replace the models of Modernity in the coming future... This will be the subject of my writing during the winter 2016-2017.

Until then I wish you all a very creative summer.

Laodan

From Modernity to After-Modernity. (25)

Part 2. Theoretical considerations 

Chapter 5. About the arts

Chapter 5. About the arts


5.4. the arts in what comes after Modernity
As I have laid out extensively already Modernity is in its late phase that I call Late-Modernity. This new context is made of multiple existential crisis that prepare the conditions for the seeds of what comes after Modernity to sprout. What is at stake here is the birth of a whole new societal paradigm that emerges as an answer to a falling model.
One of the most interesting aspects of the new paradigm relates to knowledge formation and acquisition.